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It really is effortless to fix timing that is slightly off, or doing a quick edit to a few layers of vocals to line them up to be tighter.įor example - stretch markers allow you to non-destructively move the timing around. But what I really love is the implementation of time editing. Splitting, autotrimming, gating, whatever you need to do. (And if you get the plugin bug and want to have fun with effects, look into Analog Obsession - it's a premium boutique developer with great sounding and great looking plugins, and they're all free! (supported by Patreon.))Īnother reason I mention Reaper is because you mention editing vocals. #Mixbus 32c create fade at end of song for freeAnd there's a ton of educational Reaper videos for free on YouTube.Īs far as plugins go - there are other DAWs that have fancier plugins, but Reaper has plenty to get you going. #Mixbus 32c create fade at end of song installYou'll want to install the SWS scripts (it's easy!) which will greatly extend the power. Maybe you'll have a slight learning curve, but it's worth pushing through.Īlso, since you come from Audition - Reaper can do a lot of audio-editor-things right on the timeline. ![]() The benefit of going with Reaper is - you're not going to outgrow it. In addition to helping you on your path, your common questions will be answered if you search for them. But I don't think you'll regret it.Īlso, there's a REALLY helpful community at r/reaper as well as the official forums. I suppose that's a weird suggestion for a "beginning/user friendly DAW" - because it's more of a professional, full-featured DAW. #Mixbus 32c create fade at end of song fullIn terms of the most user friendly DAW I've tried, I would have to say Logic Pro, but that's Mac only so if you are on PC then Audition is a solid choice which will already feel familiar to you and which has full support for all kinds of modern third party plugins and comes with some very nice stock plugins (including ones made by iZotope). But Audition (like most other DAWs) allow you to do non-destructive edits right on the timeline view of a multitrack session.Īnd of course the mixing process, including adding multiple instances of processing, panning, volume balance, equalization and compression, that's all non-destructive too. There is no problem with doing destructive edits (in terms of pure editing, which wouldn't include processing) as long as you save the edits as different files to not lose the original ones. Adobe products are now all subscription based so maybe you can get a trial of Audition or just sign-up to use/pay for it monthly so you can try it?Īdobe Audition is still a very capable DAW for mixing and has grown in the past 10 years, so if you found it easy to use it's probably going to be easier to start there than to try to get a handle on a completely different DAW. #Mixbus 32c create fade at end of song how toBut there is no reason you couldn't use it for music and you can add lots of plugins I believe.įor a beginners DAW, Garageband is fantastic if you are using a Mac, and once you use it you've essentially learned how to use Logic Pro which is like a more advanced version of Garageband. ![]() However, if I'm doing something musical I will use Logic Pro, I think it's just habit, and the tools in Logic are more geared towards music, where I feel the built-in tools in Audition are more for broadcasting, radio production, spoken word and sound design. It takes a bit of getting use to in terms of destructive editing and working out how changes affect the files on your hard drive etc, but you soon get up to speed. If I'm making something like a radio jingle or a podcast I'd also use the multitrack function in Adobe Audition. If I need to edit a single audio file, like a voice over track, or I just want to add a fade out to a track or chop part of a track, Adobe Audition is my favourite as it's got that very clear waveform editor. ![]()
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